{"id":1053,"date":"2020-05-09T03:44:24","date_gmt":"2020-05-09T01:44:24","guid":{"rendered":"http:\/\/parolesdhistoire.fr\/?p=1053"},"modified":"2020-05-08T22:59:29","modified_gmt":"2020-05-08T20:59:29","slug":"120-pillages-nazis-et-deformations-hollywoodiennes-monuments-men-avec-ophelie-jouan","status":"publish","type":"post","link":"https:\/\/parolesdhistoire.fr\/index.php\/2020\/05\/09\/120-pillages-nazis-et-deformations-hollywoodiennes-monuments-men-avec-ophelie-jouan\/","title":{"rendered":"120. Pillages nazis et d\u00e9formations hollywoodiennes : Monuments men, avec Oph\u00e9lie Jouan"},"content":{"rendered":"<iframe loading=\"lazy\" src=\"https:\/\/player.blubrry.com\/?media_url=https%3A%2F%2Fmedia.blubrry.com%2Fparolesdhistoire%2Fcontent.blubrry.com%2Fparolesdhistoire%2Fmonuments.mp3&amp;modern=1&amp;podcast_link=https%3A%2F%2Fparolesdhistoire.fr%2Findex.php%2F2020%2F05%2F09%2F120-pillages-nazis-et-deformations-hollywoodiennes-monuments-men-avec-ophelie-jouan%2F#mode-Light&border-000000&progress-000000\" scrolling=\"no\" width=\"100%\" height=\"165\" frameborder=\"0\" id=\"blubrryplayer-1\" class=\"blubrryplayer\" title=\"Blubrry Podcast Player\"><\/iframe><p class=\"powerpress_links powerpress_links_mp3\" style=\"margin-bottom: 1px !important;\">Podcast: <a href=\"https:\/\/media.blubrry.com\/parolesdhistoire\/content.blubrry.com\/parolesdhistoire\/monuments.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('https:\/\/parolesdhistoire.fr\/?powerpress_pinw=1053-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"https:\/\/media.blubrry.com\/parolesdhistoire\/content.blubrry.com\/parolesdhistoire\/monuments.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"monuments.mp3\">Download<\/a><\/p><p class=\"powerpress_links powerpress_subscribe_links\">S'abonner :  <a href=\"https:\/\/itunes.apple.com\/fr\/podcast\/paroles-dhistoire\/id1376002842?l=en&amp;mt=2&amp;ls=1#episodeGuid=http%3A%2F%2Fparolesdhistoire.fr%2F%3Fp%3D1053\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/57zBA3htpYUB4MJNhhlDnn\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"https:\/\/subscribeonandroid.com\/feeds.audiomeans.fr\/feed\/c3e6abea-2254-416a-b8ef-0619098d0e45.xml\" class=\"powerpress_link_subscribe powerpress_link_subscribe_android\" target=\"_blank\" title=\"Subscribe on Android\" rel=\"nofollow\">Android<\/a> | <a href=\"https:\/\/www.deezer.com\/en\/show\/1000680512\" class=\"powerpress_link_subscribe powerpress_link_subscribe_deezer\" target=\"_blank\" title=\"Subscribe on Deezer\" rel=\"nofollow\">Deezer<\/a> | <a href=\"https:\/\/feeds.audiomeans.fr\/feed\/c3e6abea-2254-416a-b8ef-0619098d0e45.xml\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"https:\/\/parolesdhistoire.fr\/index.php\/sabonner\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"More\" rel=\"nofollow\">More<\/a><\/p><p><strong>L\u2019invit\u00e9e\u00a0: <\/strong>Oph\u00e9lie Jouan, historienne de l\u2019art<\/p>\n<p><a href=\"http:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2020\/05\/The-Monuments-Men-UK-Quad-Poster-620x412.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1055\" src=\"http:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2020\/05\/The-Monuments-Men-UK-Quad-Poster-620x412-300x199.jpg\" alt=\"\" width=\"300\" height=\"199\" srcset=\"https:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2020\/05\/The-Monuments-Men-UK-Quad-Poster-620x412-300x199.jpg 300w, https:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2020\/05\/The-Monuments-Men-UK-Quad-Poster-620x412.jpg 620w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\" \/><\/a><\/p>\n<p><strong>Le film\u00a0:<\/strong> <em>Monuments Men<\/em> (George Clooney, 2014)<\/p>\n<p><strong>La discussion\u00a0:<\/strong><\/p>\n<ul>\n<li>Le sc\u00e9nario du film (1\u201930)<\/li>\n<li>Un film franchement rat\u00e9 (3\u201940)<\/li>\n<li>Le casting et les probl\u00e8mes qu\u2019il pose (5\u201940)<\/li>\n<li>Un probl\u00e8me de ton, \u00e0 la fois s\u00e9rieux et humoristique (7\u201930)<\/li>\n<li>L\u2019art paradoxalement peu pr\u00e9sent dans le film (9\u201900)<\/li>\n<li>Un film appuy\u00e9 sur une historiographie d\u00e9velopp\u00e9e dans les derni\u00e8res 25 ann\u00e9es (10\u201940)<\/li>\n<li>Une dimension p\u00e9dagogique (malheureusement) revendiqu\u00e9e par le film (13\u201930)<\/li>\n<li>Les r\u00e9alit\u00e9s du pillage artistique men\u00e9 par les nazis (15\u201940)<\/li>\n<li>L\u2019identit\u00e9 juive des victimes de spoliations, largement invisibilis\u00e9e (19\u201940)<\/li>\n<li>La mission des \u00ab\u00a0monuments men\u00a0\u00bb d\u00e9form\u00e9e (22\u201920)<\/li>\n<li>L\u2019oubli des efforts pour prot\u00e9ger le patrimoine avant leur arriv\u00e9e (25\u201920)<\/li>\n<li>Le personnage de Rose Valland, dont le r\u00f4le est caricatur\u00e9 (28\u2019)<\/li>\n<li>L\u2019acc\u00e9l\u00e9ration du film, qui met en sc\u00e8ne une volont\u00e9 nazie de d\u00e9truire les \u0153uvres d\u2019art, de fa\u00e7on l\u00e0 encore d\u00e9form\u00e9e (33\u2019)<\/li>\n<li>L\u2019id\u00e9e (inexacte \u00e9galement) d\u2019une concurrence avec les sovi\u00e9tiques sur ce point (35\u201950)<\/li>\n<li>Une ellipse sur les op\u00e9rations de restitution (38\u2019)<\/li>\n<li>Un parall\u00e8le \u00e0 faire avec le film <em>La femme au tableau<\/em> de 2015 (40\u2019)<\/li>\n<li>Mais aussi avec <em>Indiana Jones et les aventuriers de l\u2019arche perdue<\/em> (43\u2019)<\/li>\n<li>Conseils de lecture (46\u2019)<\/li>\n<\/ul>\n<p><strong>Conseils de lecture et bibliographie\u00a0:<\/strong><\/p>\n<ul>\n<li>NICHOLAS Lynn, <em>Le pillage de l\u2019Europe : les \u0153uvres d\u2019art vol\u00e9es par les Nazis<\/em>, trad. Paul Chemla, Paris, Seuil, 1995.<\/li>\n<li>VALLAND Rose, <em>Le Front de l\u2019art \u2013 D\u00e9fense des collections fran\u00e7aises 1939-1945<\/em> (1961), Paris, \u00e9d. RMN, 2014. R\u00e9\u00e9dit\u00e9 en 2014 et \u00e9toff\u00e9 d\u2019un appareil critique.<\/li>\n<li>FARMER Walter I., <em>The Safekeepers: A Memoir of the Arts at the End of World War II<\/em>, Berlin\/New York, Walter de Gruyter, 2000.<\/li>\n<li>PLAUT James S., &#8220;Loot for the Master Race\u201d, <em>The Atlantic<\/em>, 1946.<\/li>\n<li>SMYTH Craig Hugh, <em>Repatriation of Art from the Collecting Point in Munich after World War II<\/em>, La Haye, Gerson Lectures, Schwartz\/SDU, 1988.<\/li>\n<li>SKILTON John D., Jr, <em>D\u00e9fense de l\u2019art europ\u00e9en. Souvenirs d\u2019un officier am\u00e9ricain sp\u00e9cialiste des monuments<\/em>, Paris, Editions internationales, 1948 ; r\u00e9\u00e9d. En anglais : <em>Memoirs of a Monument Officer: Protecting European Artworks<\/em>, Portland, Inkwater Press, 2008.<\/li>\n<li>LORENTZ Claude, <em>La France et les restitutions allemandes au lendemain de la Seconde Guerre mondiale (1943-1954)<\/em>, Paris, minist\u00e8re des affaires \u00e9trang\u00e8res, coll. \u00ab Diplomatie et histoire \u00bb, 1998.<\/li>\n<li>KARLSGODT Elizabeth Campbell, &#8220;What\u2019s wrong with this picture: casual disregard for history in George Clooney\u2019s The Monuments Men (2014)&#8221;, <em>Historical Journal of Film, Radio and Television<\/em>, 14 d\u00e9cembre 2015.<\/li>\n<\/ul>\n<p><strong>Filmographie\u00a0:<\/strong><\/p>\n<ul>\n<li>LOSEY Joseph, Monsieur Klein, 1976.<\/li>\n<li>CURTIS Simon, La Femme au tableau, drame, BBC Films\/The Weinstein Company, 2015.<\/li>\n<li>FRANKENHEIMER John, Le Train, Les Films Ariane, Les Productions Artistes Associ\u00e9s, Dear Film Produzione, 1964.<\/li>\n<li>SCHULER Hannes, Le mus\u00e9e d\u2019Hitler : l\u2019art pill\u00e9 par les nazis, Les Films du Paradoxe, 2012.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019invit\u00e9e\u00a0: Oph\u00e9lie Jouan, historienne de l\u2019art Le film\u00a0: Monuments Men (George Clooney, 2014) La discussion\u00a0: Le sc\u00e9nario du film (1\u201930) Un film franchement rat\u00e9 (3\u201940) Le casting et les probl\u00e8mes qu\u2019il pose (5\u201940) Un probl\u00e8me de ton, \u00e0 la fois s\u00e9rieux et humoristique (7\u201930) L\u2019art paradoxalement peu pr\u00e9sent dans le film (9\u201900) Un film appuy\u00e9 &hellip; <a href=\"https:\/\/parolesdhistoire.fr\/index.php\/2020\/05\/09\/120-pillages-nazis-et-deformations-hollywoodiennes-monuments-men-avec-ophelie-jouan\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;120. Pillages nazis et d\u00e9formations hollywoodiennes : Monuments men, avec Oph\u00e9lie Jouan&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[62],"tags":[20,191,41,5,17],"class_list":["post-1053","post","type-post","status-publish","format-standard","hentry","category-cinema","tag-2e-guerre-mondiale","tag-art","tag-cinema","tag-contempo","tag-guerre"],"_links":{"self":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts\/1053","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/comments?post=1053"}],"version-history":[{"count":2,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts\/1053\/revisions"}],"predecessor-version":[{"id":1056,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts\/1053\/revisions\/1056"}],"wp:attachment":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/media?parent=1053"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/categories?post=1053"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/tags?post=1053"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}