{"id":1412,"date":"2020-12-05T03:09:00","date_gmt":"2020-12-05T02:09:00","guid":{"rendered":"http:\/\/parolesdhistoire.fr\/?p=1412"},"modified":"2020-12-04T18:16:26","modified_gmt":"2020-12-04T17:16:26","slug":"167-revoir-gladiator-avec-vivien-barriere-et-clement-salviani","status":"publish","type":"post","link":"https:\/\/parolesdhistoire.fr\/index.php\/2020\/12\/05\/167-revoir-gladiator-avec-vivien-barriere-et-clement-salviani\/","title":{"rendered":"167. Revoir \u2018Gladiator\u2019, avec Vivien Barri\u00e8re et Cl\u00e9ment Salviani"},"content":{"rendered":"<iframe loading=\"lazy\" src=\"https:\/\/player.blubrry.com\/?media_url=https%3A%2F%2Fmedia.blubrry.com%2Fparolesdhistoire%2Fcontent.blubrry.com%2Fparolesdhistoire%2Fgladiator_def.mp3&amp;modern=1&amp;podcast_link=https%3A%2F%2Fparolesdhistoire.fr%2Findex.php%2F2020%2F12%2F05%2F167-revoir-gladiator-avec-vivien-barriere-et-clement-salviani%2F#mode-Light&border-000000&progress-000000\" scrolling=\"no\" width=\"100%\" height=\"165\" frameborder=\"0\" id=\"blubrryplayer-1\" class=\"blubrryplayer\" title=\"Blubrry Podcast Player\"><\/iframe><p class=\"powerpress_links powerpress_links_mp3\" style=\"margin-bottom: 1px !important;\">Podcast: <a href=\"https:\/\/media.blubrry.com\/parolesdhistoire\/content.blubrry.com\/parolesdhistoire\/gladiator_def.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('https:\/\/parolesdhistoire.fr\/?powerpress_pinw=1412-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"https:\/\/media.blubrry.com\/parolesdhistoire\/content.blubrry.com\/parolesdhistoire\/gladiator_def.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"gladiator_def.mp3\">Download<\/a><\/p><p class=\"powerpress_links powerpress_subscribe_links\">S'abonner :  <a href=\"https:\/\/itunes.apple.com\/fr\/podcast\/paroles-dhistoire\/id1376002842?l=en&amp;mt=2&amp;ls=1#episodeGuid=http%3A%2F%2Fparolesdhistoire.fr%2F%3Fp%3D1412\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/57zBA3htpYUB4MJNhhlDnn\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"https:\/\/subscribeonandroid.com\/feeds.audiomeans.fr\/feed\/c3e6abea-2254-416a-b8ef-0619098d0e45.xml\" class=\"powerpress_link_subscribe powerpress_link_subscribe_android\" target=\"_blank\" title=\"Subscribe on Android\" rel=\"nofollow\">Android<\/a> | <a href=\"https:\/\/www.deezer.com\/en\/show\/1000680512\" class=\"powerpress_link_subscribe powerpress_link_subscribe_deezer\" target=\"_blank\" title=\"Subscribe on Deezer\" rel=\"nofollow\">Deezer<\/a> | <a href=\"https:\/\/feeds.audiomeans.fr\/feed\/c3e6abea-2254-416a-b8ef-0619098d0e45.xml\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"https:\/\/parolesdhistoire.fr\/index.php\/sabonner\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"More\" rel=\"nofollow\">More<\/a><\/p><p><strong>Les invit\u00e9s\u00a0:<\/strong> Vivien Barri\u00e8re, ma\u00eetre de conf\u00e9rences \u00e0 Cergy Universit\u00e9\u00a0; Cl\u00e9ment Salviani, doctorant \u00e0 Paris-I et ATER \u00e0 l\u2019universit\u00e9 Bordeaux-Montaigne<\/p>\n<p><a href=\"http:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2020\/12\/affiche.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1413\" src=\"http:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2020\/12\/affiche.jpg\" alt=\"\" width=\"334\" height=\"500\" srcset=\"https:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2020\/12\/affiche.jpg 334w, https:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2020\/12\/affiche-200x300.jpg 200w\" sizes=\"auto, (max-width: 334px) 85vw, 334px\" \/><\/a><strong>Le film\u00a0:<\/strong> <em>Gladiator<\/em>, de Ridley Scott (2000)<\/p>\n<p><strong>La discussion\u00a0: <\/strong><\/p>\n<ul>\n<li>Le rapport de nos invit\u00e9s \u00e0 ce grand film \u00e9pique (1\u201930)<\/li>\n<li>Pr\u00e9sentation du film, du projet, de son succ\u00e8s (4\u201905)<\/li>\n<li>La s\u00e9quence d\u2019ouverture\u00a0: les guerres aux fronti\u00e8res de Marc-Aur\u00e8le contre les barbares (5\u201950)<\/li>\n<li>La repr\u00e9sentation st\u00e9r\u00e9otyp\u00e9e des barbares (7\u201905)<\/li>\n<li>La premi\u00e8re bataille\u00a0: une fa\u00e7on de faire la guerre qui n\u2019a rien de romain (9\u201910)<\/li>\n<li>L\u2019introduction de Maximus, \u00ab\u00a0parfait\u00a0\u00bb chef militaire (11\u201940)<\/li>\n<li>Une vision plut\u00f4t simplifi\u00e9e de Marc-Aur\u00e8le, et l\u2019id\u00e9e fausse de vell\u00e9it\u00e9s \u00ab\u00a0r\u00e9publicaines\u00a0\u00bb (13\u201925)<\/li>\n<li>La repr\u00e9sentation de l\u2019empereur Commode et l\u2019interpr\u00e9tation de Joaquin Phoenix, tributaire d\u2019un portrait d\u00e9form\u00e9 transmis par des sources s\u00e9natoriales (16\u201940)<\/li>\n<li>Le r\u00e8gne de Commode (associ\u00e9 au pouvoir du vivant de son p\u00e8re), plus long et plus complexe que le film ne le sugg\u00e8re (20\u201930)<\/li>\n<li>Le rapport aux dieux et \u00e0 l\u2019au-del\u00e0, de Maximus, laissant de c\u00f4t\u00e9 la religion publique de Rome (23\u201925)<\/li>\n<li>La succession imp\u00e9riale, l\u2019empereur assassin\u00e9\u00a0: un enjeu r\u00e9current\u00a0? (28\u2019)<\/li>\n<li>La mort de Commode, et la fa\u00e7on dont le film reprend le p\u00e9plum <em>La chute de l\u2019empire romain<\/em> de 1964 (30\u201930)<\/li>\n<li>L\u2019\u00e9vasion de Maximus (32\u2019) et son long trajet vers l\u2019Espagne, permettant de voir une g\u00e9ographie imaginaire de l\u2019empire romain (33\u2019), avec l\u2019id\u00e9e (impossible) d\u2019une ascension sociale du personnage principal (34\u2019)<\/li>\n<li>Maximus, un nouveau Cincinnatus\u00a0? (35\u2019)<\/li>\n<li>L\u2019Afrique du nord romaine entre r\u00e9alisme et clich\u00e9s orientalisants (36\u201940)<\/li>\n<li>Comment Maximus a-t-il \u00e9t\u00e9 doubl\u00e9 par les envoy\u00e9s de Commode\u00a0? (38\u2019)<\/li>\n<li>La repr\u00e9sentation de la gladiature, et les diff\u00e9rents types de spectacles (40\u2019)<\/li>\n<li>Les lieux de la gladiature, \u00e0 Rome et dans l\u2019empire (44\u2019)<\/li>\n<li>Quel degr\u00e9 de violence de la gladiature par rapport \u00e0 ce que montre le film\u00a0? (46\u201915)<\/li>\n<li>Le geste, peu attest\u00e9 dans l\u2019antiquit\u00e9, du pouce lev\u00e9 ou baiss\u00e9 (48\u201920), repris par le peintre G\u00e9r\u00f4me dans un tableau inspirant les choix esth\u00e9tiques du film (49\u2019)<\/li>\n<li>Un morceau de bravoure du film\u00a0: la mise en sc\u00e8ne de la bataille de Zama (52\u2019)<\/li>\n<li>La fa\u00e7on dont Gladiator filme la guerre (56\u2019)<\/li>\n<li>La th\u00e9matique de la d\u00e9cadence romaine, et la question historiographique de la fin de l\u2019empire (57\u201920)<\/li>\n<li>Que dit le film politiquement\u00a0? (1\u201902\u201900)<\/li>\n<li>La r\u00e9f\u00e9rence aux Gracques (1\u201906\u201900)<\/li>\n<li>L\u2019onomastique un peu fantaisiste du film (1\u201907\u201930)<\/li>\n<li>La restitution int\u00e9ressante du Colis\u00e9e (1\u201910\u201900)<\/li>\n<li>Quel sens donner \u00e0 la sc\u00e8ne la plus fameuse\u00a0: \u00ab\u00a0are you not entertained\u00a0?\u00a0\u00bb (1\u201911\u201915)<\/li>\n<li>Quels moments pr\u00e9f\u00e9r\u00e9s ou marquants dans le film (1\u201914\u201900)<\/li>\n<\/ul>\n<p><strong>Les r\u00e9f\u00e9rences cit\u00e9es dans le podcast\u00a0:<\/strong><\/p>\n<ul>\n<li>Claire Sotinel, <em><a href=\"https:\/\/parolesdhistoire.fr\/index.php\/2019\/11\/27\/82-derniers-siecles-romains-avec-claire-sotinel\/\">Rome, la fin d\u2019un empire<\/a><\/em>, Paris, Belin, 2019.<\/li>\n<li>Kyle Harper, <em>Comment l\u2019empire romain s\u2019est effondr\u00e9. Le climat, les maladies et la chute de Rome<\/em>, Paris, La D\u00e9couverte, 2019.<\/li>\n<li>Beno\u00eet Rossignol, <em>Marc-Aur\u00e8le<\/em>, Paris, Perrin, 2020.<\/li>\n<li>John Scheid, <em>Infographie de la Rome antique<\/em>, Paris, Pass\u00e9s compos\u00e9s, 2020.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Les invit\u00e9s\u00a0: Vivien Barri\u00e8re, ma\u00eetre de conf\u00e9rences \u00e0 Cergy Universit\u00e9\u00a0; Cl\u00e9ment Salviani, doctorant \u00e0 Paris-I et ATER \u00e0 l\u2019universit\u00e9 Bordeaux-Montaigne Le film\u00a0: Gladiator, de Ridley Scott (2000) La discussion\u00a0: Le rapport de nos invit\u00e9s \u00e0 ce grand film \u00e9pique (1\u201930) Pr\u00e9sentation du film, du projet, de son succ\u00e8s (4\u201905) La s\u00e9quence d\u2019ouverture\u00a0: les guerres aux &hellip; <a href=\"https:\/\/parolesdhistoire.fr\/index.php\/2020\/12\/05\/167-revoir-gladiator-avec-vivien-barriere-et-clement-salviani\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;167. Revoir \u2018Gladiator\u2019, avec Vivien Barri\u00e8re et Cl\u00e9ment Salviani&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[62],"tags":[38,89,41,43,218],"class_list":["post-1412","post","type-post","status-publish","format-standard","hentry","category-cinema","tag-histoire-antique","tag-antiquite-tardive","tag-cinema","tag-histoire-romaine","tag-rome"],"_links":{"self":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts\/1412","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/comments?post=1412"}],"version-history":[{"count":1,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts\/1412\/revisions"}],"predecessor-version":[{"id":1414,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts\/1412\/revisions\/1414"}],"wp:attachment":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/media?parent=1412"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/categories?post=1412"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/tags?post=1412"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}