{"id":2140,"date":"2022-11-10T03:21:41","date_gmt":"2022-11-10T02:21:41","guid":{"rendered":"http:\/\/parolesdhistoire.fr\/?p=2140"},"modified":"2022-11-10T23:55:26","modified_gmt":"2022-11-10T22:55:26","slug":"265-nabucco-un-opera-dans-lhistoire-avec-antonin-durand","status":"publish","type":"post","link":"https:\/\/parolesdhistoire.fr\/index.php\/2022\/11\/10\/265-nabucco-un-opera-dans-lhistoire-avec-antonin-durand\/","title":{"rendered":"265. Nabucco, un op\u00e9ra dans l&#8217;histoire, avec Antonin Durand"},"content":{"rendered":"<iframe loading=\"lazy\" src=\"https:\/\/player.blubrry.com\/?media_url=https%3A%2F%2Fmedia.blubrry.com%2Fparolesdhistoire%2Fcontent.blubrry.com%2Fparolesdhistoire%2F265_nabucco.mp3&amp;modern=1&amp;podcast_link=https%3A%2F%2Fparolesdhistoire.fr%2Findex.php%2F2022%2F11%2F10%2F265-nabucco-un-opera-dans-lhistoire-avec-antonin-durand%2F#mode-Light&border-000000&progress-000000\" scrolling=\"no\" width=\"100%\" height=\"165\" frameborder=\"0\" id=\"blubrryplayer-1\" class=\"blubrryplayer\" title=\"Blubrry Podcast Player\"><\/iframe><p class=\"powerpress_links powerpress_links_mp3\" style=\"margin-bottom: 1px !important;\">Podcast: <a href=\"https:\/\/media.blubrry.com\/parolesdhistoire\/content.blubrry.com\/parolesdhistoire\/265_nabucco.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('https:\/\/parolesdhistoire.fr\/?powerpress_pinw=2140-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"https:\/\/media.blubrry.com\/parolesdhistoire\/content.blubrry.com\/parolesdhistoire\/265_nabucco.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"265_nabucco.mp3\">Download<\/a><\/p><p class=\"powerpress_links powerpress_subscribe_links\">S'abonner :  <a href=\"https:\/\/itunes.apple.com\/fr\/podcast\/paroles-dhistoire\/id1376002842?l=en&amp;mt=2&amp;ls=1#episodeGuid=http%3A%2F%2Fparolesdhistoire.fr%2F%3Fp%3D2140\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/57zBA3htpYUB4MJNhhlDnn\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"https:\/\/subscribeonandroid.com\/feeds.audiomeans.fr\/feed\/c3e6abea-2254-416a-b8ef-0619098d0e45.xml\" class=\"powerpress_link_subscribe powerpress_link_subscribe_android\" target=\"_blank\" title=\"Subscribe on Android\" rel=\"nofollow\">Android<\/a> | <a href=\"https:\/\/www.deezer.com\/en\/show\/1000680512\" class=\"powerpress_link_subscribe powerpress_link_subscribe_deezer\" target=\"_blank\" title=\"Subscribe on Deezer\" rel=\"nofollow\">Deezer<\/a> | <a href=\"https:\/\/feeds.audiomeans.fr\/feed\/c3e6abea-2254-416a-b8ef-0619098d0e45.xml\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"https:\/\/parolesdhistoire.fr\/index.php\/sabonner\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"More\" rel=\"nofollow\">More<\/a><\/p><p><strong>L\u2019invit\u00e9\u00a0: <\/strong>Antonin Durand, MCF \u00e0 Sorbonne universit\u00e9<\/p>\n<p><strong> <a href=\"http:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2022\/11\/9782283035320_1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-2143\" src=\"http:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2022\/11\/9782283035320_1-196x300.jpg\" alt=\"\" width=\"196\" height=\"300\" srcset=\"https:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2022\/11\/9782283035320_1-196x300.jpg 196w, https:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2022\/11\/9782283035320_1.jpg 520w\" sizes=\"auto, (max-width: 196px) 85vw, 196px\" \/><\/a><\/strong><\/p>\n<p><strong>Le livre\u00a0: <\/strong><em>Le ch\u0153ur des esclaves. Un chant qui a fait l\u2019histoire<\/em>, Paris, Buchet\/Chastel, 2022.<\/p>\n<p><strong>La discussion:<\/strong><\/p>\n<ul>\n<li>Introduction (00:00)<\/li>\n<li>La l\u00e9gende de Nabucco comme op\u00e9ra patriotique \u00e0 sa cr\u00e9ation en 1842 (1:15)<\/li>\n<li>Les travaux ayant revisit\u00e9 ce mythe (2:30)<\/li>\n<li><strong><em>Extrait: \u00ab\u00a0Oh mia patria\u2026\u00a0\u00bb (3:45)<\/em><\/strong><\/li>\n<li>Temistocle Solera, librettiste de Verdi (4:10)<\/li>\n<li>Le contexte de cr\u00e9ation de l\u2019\u0153uvre (4:45)<\/li>\n<li>Le th\u00e8me biblique de l\u2019op\u00e9ra (7:30)<\/li>\n<li>Verdi en 1848 et le rapport musique \/ politique chez lui (8:40)<\/li>\n<li><strong><em>Extrait: \u00ab\u00a0Viva Italia\u00a0\u00bb de La battaglia di Legnano (10:45) <\/em><\/strong><\/li>\n<li>Un op\u00e9ra qui n\u2019est pas central dans le r\u00e9pertoire au XIXe si\u00e8cle (11:30)<\/li>\n<li>La r\u00e9ception internationale de Nabucco \u00e0 l\u2019\u00e9poque (12:45)<\/li>\n<li>Les m\u00e9thodes du travail autour de la r\u00e9ception (15:00)<\/li>\n<li>La cristallisation du mythe verdien \u00e0 la fin du XIXe si\u00e8cle (16:30)<\/li>\n<li>Lectures garibaldiennes et socialistes du \u00ab\u00a0Va pensiero\u00a0\u00bb (19:45)<\/li>\n<li><strong><em>Extrait: hymne au 1<sup>er<\/sup> mai (22:30)<\/em><\/strong><\/li>\n<li>Verdi, \u00e9l\u00e9ment clef dans la construction de la nation italienne (23:00)<\/li>\n<li>Le concert de Trieste en 1913 (24:45)<\/li>\n<li>Nation et musique d\u00e9but XXe si\u00e8cle: Verdi vs Wagner (28:00)<\/li>\n<li>Un chant patriotique, mais pas tout \u00e0 fait assez martial pour la Grande Guerre (30:00)<\/li>\n<li>Le rapport du fascisme \u00e0 Verdi, et \u00e0 travers lui au Risorgimento (31:00)<\/li>\n<li>Un air chant\u00e9 par des H\u00e9breux, injouable tel quel dans l\u2019Allemagne nazie\u2026 (33:00)<\/li>\n<li>\u2026mais utilisable dans une lecture sioniste en Isra\u00ebl (35:45)<\/li>\n<li>\u00ab\u00a0Va pensiero\u00a0\u00bb folkloris\u00e9 dans la seconde moiti\u00e9 du XXe si\u00e8cle (38:00), notamment au cin\u00e9ma (<a href=\"https:\/\/www.youtube.com\/watch?v=hwRmF8-pYvQ\">Sissi face \u00e0 son destin<\/a>, 1957)<\/li>\n<li><strong><em>Extrait: Nana Mouskouri, je chante avec toi Libert\u00e9 (41:15)<\/em><\/strong><\/li>\n<li>Faire du \u00ab\u00a0Va pensiero\u00a0\u00bb un hymne national\u00a0? (42:15)<\/li>\n<li>Un usage \u00e0 fronts renvers\u00e9s de l\u2019air par la Ligue du nord dans les ann\u00e9es 2000 (44:50)<\/li>\n<li>Quelle version \u00e9couter\u00a0? (48:20)<\/li>\n<\/ul>\n<p><strong>Les conseils de lecture\u00a0:<\/strong><\/p>\n<ul>\n<li>Esteban Buch, <em>La Neuvi\u00e8me de Beethoven. Une histoire politique, Gallimard, coll. Biblioth\u00e8que des Histoires<\/em>, Paris, 1999.<\/li>\n<li>Gilles P\u00e9cout, <em>Naissance de l&#8217;Italie contemporaine, 1770-1922<\/em>, Paris, Armand Colin, 2004.<\/li>\n<\/ul>\n<p><strong>Paroles du &#8220;Va pensiero&#8221;<\/strong><\/p>\n<p>Va, pensiero, sull\u2019ali dorate;<\/p>\n<p>Va, ti posa sui clivi, sui colli,<\/p>\n<p>Ove olezzano tepide e molli<\/p>\n<p>L&#8217;aure dolci del suolo natal!<\/p>\n<p>Del Giordano le rive saluta,<\/p>\n<p>Di Sionne le torri atterrate&#8230;<\/p>\n<p>Oh mia patria s\u00ec bella e perduta!<\/p>\n<p>Oh membranza s\u00ec cara e fatal!<\/p>\n<p>Arpa d&#8217;or dei fatidici vati,<\/p>\n<p>Perch\u00e9 muta dal salice pendi?<\/p>\n<p>Le memorie nel petto riaccendi,<\/p>\n<p>Ci favella del tempo che fu!<\/p>\n<p>O simile di Solima ai fati<\/p>\n<p>Traggi un suono di crudo lamento,<\/p>\n<p>O t&#8217;ispiri il Signore un concento<\/p>\n<p>Che ne infonda al patire virt\u00f9!<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Traduction fran\u00e7aise<\/strong><\/p>\n<p>Va, pens\u00e9e, sur tes ailes dor\u00e9es ;<\/p>\n<p>Va, pose-toi sur les pentes, sur les collines,<\/p>\n<p>O\u00f9 embaument, ti\u00e8des et suaves,<\/p>\n<p>Les douces brises du sol natal !<\/p>\n<p>Salue les rives du Jourdain,<\/p>\n<p>Les tours abattues de Sion &#8230;<\/p>\n<p>Oh ma patrie si belle et perdue !<\/p>\n<p>\u00d4 souvenir si cher et funeste !<\/p>\n<p>Harpe d&#8217;or des devins fatidiques,<\/p>\n<p>Pourquoi, muette, pends-tu au saule ?<\/p>\n<p>Rallume les souvenirs dans le c\u0153ur,<\/p>\n<p>Parle-nous du temps pass\u00e9 !<\/p>\n<p>Semblable au destin de Solime<\/p>\n<p>Joue le son d&#8217;une cruelle lamentation<\/p>\n<p>Ou bien que le Seigneur t&#8217;inspire une harmonie<\/p>\n<p>Qui nous donne le courage de supporter nos souffrances !<\/p>\n<p><strong>Paroles de <a href=\"https:\/\/www.youtube.com\/watch?v=_X0Rsf_7f0U\">l&#8217;hymne au 1er mai<\/a> de Pietro Gori<\/strong><\/p>\n<p>Vieni o Maggio t&#8217;aspettan le genti<\/p>\n<p>ti salutano i liberi cuori<\/p>\n<p>dolce Pasqua dei lavoratori<\/p>\n<p>vieni e splendi alla gloria del sol<\/p>\n<p>Squilli un inno di alate speranze<\/p>\n<p>al gran verde che il frutto matura<\/p>\n<p>a la vasta ideal fioritura<\/p>\n<p>in cui freme il lucente avvenir<\/p>\n<p>Disertate o falangi di schiavi<\/p>\n<p>dai cantieri da l&#8217;arse officine<\/p>\n<p>via dai campi su da le marine<\/p>\n<p>tregua tregua all&#8217;eterno sudor!<\/p>\n<p>Innalziamo le mani incallite<\/p>\n<p>e sian fascio di forze fecondo<\/p>\n<p>noi vogliamo redimere il mondo<\/p>\n<p>dai tiranni de l&#8217;ozio e de l&#8217;or<\/p>\n<p>Giovinezze dolori ideali<\/p>\n<p>primavere dal fascino arcano<\/p>\n<p>verde maggio del genere umano<\/p>\n<p>date ai petti il coraggio e la f\u00e8<\/p>\n<p>Date fiori ai ribelli caduti<\/p>\n<p>collo sguardo rivolto all&#8217;aurora<\/p>\n<p>al gagliardo che lotta e lavora<\/p>\n<p>al veggente poeta che muor!<\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019invit\u00e9\u00a0: Antonin Durand, MCF \u00e0 Sorbonne universit\u00e9 Le livre\u00a0: Le ch\u0153ur des esclaves. Un chant qui a fait l\u2019histoire, Paris, Buchet\/Chastel, 2022. La discussion: Introduction (00:00) La l\u00e9gende de Nabucco comme op\u00e9ra patriotique \u00e0 sa cr\u00e9ation en 1842 (1:15) Les travaux ayant revisit\u00e9 ce mythe (2:30) Extrait: \u00ab\u00a0Oh mia patria\u2026\u00a0\u00bb (3:45) Temistocle Solera, librettiste de &hellip; <a href=\"https:\/\/parolesdhistoire.fr\/index.php\/2022\/11\/10\/265-nabucco-un-opera-dans-lhistoire-avec-antonin-durand\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;265. Nabucco, un op\u00e9ra dans l&#8217;histoire, avec Antonin Durand&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[264,76,148,114,34],"class_list":["post-2140","post","type-post","status-publish","format-standard","hentry","category-parution","tag-fascisme","tag-italie","tag-musique","tag-nation","tag-xixe"],"_links":{"self":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts\/2140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/comments?post=2140"}],"version-history":[{"count":4,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts\/2140\/revisions"}],"predecessor-version":[{"id":2145,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts\/2140\/revisions\/2145"}],"wp:attachment":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/media?parent=2140"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/categories?post=2140"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/tags?post=2140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}