{"id":3299,"date":"2026-01-26T07:00:39","date_gmt":"2026-01-26T06:00:39","guid":{"rendered":"https:\/\/parolesdhistoire.fr\/?p=3299"},"modified":"2026-01-25T17:38:34","modified_gmt":"2026-01-25T16:38:34","slug":"3299","status":"publish","type":"post","link":"https:\/\/parolesdhistoire.fr\/index.php\/2026\/01\/26\/3299\/","title":{"rendered":"417. Les restitutions artistiques de 1815, avec B\u00e9n\u00e9dicte Savoy"},"content":{"rendered":"<p><iframe loading=\"lazy\"\n    style=\"margin: auto; min-width: 320px; border: 0;\"\n    src=\"https:\/\/player.audiomeans.fr\/player-v2\/paroles-d-histoire-0619098d0e45\/episodes\/bc3a7697-5e20-4465-b3ba-ed178f55536a?mp=0&#038;leadin=0&#038;embed=0&#038;download=1&#038;std=0&#038;vert=0&#038;playlist=0&#038;color=7d7d7d&#038;theme=dark\"\n    width=\"80%\"\n    height=\"150px\"\n    allow=\"autoplay\"><br \/>\n<\/iframe><\/p>\n<p><strong>L\u2019invit\u00e9e\u00a0:<\/strong> B\u00e9n\u00e9dicte Savoy, professeure d\u2019histoire de l\u2019art \u00e0 l\u2019universit\u00e9 technique de Berlin<\/p>\n<p><a href=\"http:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2026\/01\/9782348090325.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-3301\" src=\"http:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2026\/01\/9782348090325-628x1024.jpg\" alt=\"\" width=\"305\" height=\"497\" srcset=\"https:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2026\/01\/9782348090325-628x1024.jpg 628w, https:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2026\/01\/9782348090325-184x300.jpg 184w, https:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2026\/01\/9782348090325-768x1252.jpg 768w, https:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2026\/01\/9782348090325.jpg 800w\" sizes=\"auto, (max-width: 305px) 85vw, 305px\" \/><\/a><strong>Le livre\u00a0:<\/strong> <em>1815, le temps du retour. Restituer l&#8217;art en Europe apr\u00e8s l&#8217;Empire napol\u00e9onien<\/em>, Paris, La d\u00e9couverte, 2026.<\/p>\n<p><strong>La discussion\u00a0:<\/strong><\/p>\n<ul>\n<li>Une lecture compar\u00e9e des enjeux de restitution des fins d\u2019empire (1\u00a0:00)<\/li>\n<li>L\u2019ampleur des spoliations r\u00e9volutionnaires et napol\u00e9oniennes (7:40)<\/li>\n<li>Les timides d\u00e9buts des restitutions en 1814 (16:30)<\/li>\n<li>Les vainqueurs haussent le ton en 1815 (25:40)<\/li>\n<li>Spoliations napol\u00e9oniennes, spoliations coloniales de l\u2019\u00e9poque (36:30)<\/li>\n<li>Les \u0153uvres rendues ne le sont jamais \u00e0 l\u2019identique ou dans les m\u00eames lieux (42:15)<\/li>\n<\/ul>\n<p><strong>Conseil de lecture et r\u00e9f\u00e9rence\u00a0:<\/strong><\/p>\n<ul>\n<li>Entretien avec <a href=\"https:\/\/parolesdhistoire.fr\/index.php\/2020\/11\/14\/162-quand-lempire-napoleonien-volait-les-archives-avec-maria-pia-donato\/\">Maria Pia Donato<\/a><\/li>\n<li>Matilde Cartolari, <em><a href=\"https:\/\/www.degruyterbrill.com\/document\/doi\/10.1515\/9783111331546\/html?srsltid=AfmBOookGhgi4XlePfUc-ketTMcpGUZKcxGhGqXLXISY6DJki4xdRjPY\">Ambassadors of Beauty. Italian Old Master Exhibitions and Fascist Cultural Diplomacy 1930-1940<\/a><\/em><\/li>\n<\/ul>\n<p><strong>Illustration\u00a0:<\/strong> Vincenzo Chilone, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Fichier:Vincenzo_Chilone_-_The_Return_of_the_Horses_of_San_Marco_-_WGA04820.jpg\">Ritorni dei cavalli di San Marco<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019invit\u00e9e\u00a0: B\u00e9n\u00e9dicte Savoy, professeure d\u2019histoire de l\u2019art \u00e0 l\u2019universit\u00e9 technique de Berlin Le livre\u00a0: 1815, le temps du retour. Restituer l&#8217;art en Europe apr\u00e8s l&#8217;Empire napol\u00e9onien, Paris, La d\u00e9couverte, 2026. La discussion\u00a0: Une lecture compar\u00e9e des enjeux de restitution des fins d\u2019empire (1\u00a0:00) L\u2019ampleur des spoliations r\u00e9volutionnaires et napol\u00e9oniennes (7:40) Les timides d\u00e9buts des restitutions &hellip; <a href=\"https:\/\/parolesdhistoire.fr\/index.php\/2026\/01\/26\/3299\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;417. Les restitutions artistiques de 1815, avec B\u00e9n\u00e9dicte Savoy&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[191,85,216,34],"class_list":["post-3299","post","type-post","status-publish","format-standard","hentry","category-parution","tag-art","tag-histoire-de-lart","tag-napoleon","tag-xixe"],"_links":{"self":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts\/3299","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/comments?post=3299"}],"version-history":[{"count":4,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts\/3299\/revisions"}],"predecessor-version":[{"id":3305,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts\/3299\/revisions\/3305"}],"wp:attachment":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/media?parent=3299"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/categories?post=3299"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/tags?post=3299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}