{"id":388,"date":"2019-01-30T03:07:45","date_gmt":"2019-01-30T02:07:45","guid":{"rendered":"http:\/\/parolesdhistoire.fr\/?p=388"},"modified":"2019-01-30T08:06:17","modified_gmt":"2019-01-30T07:06:17","slug":"37-revoir-le-dernier-metro-avec-alya-aglan","status":"publish","type":"post","link":"https:\/\/parolesdhistoire.fr\/index.php\/2019\/01\/30\/37-revoir-le-dernier-metro-avec-alya-aglan\/","title":{"rendered":"37. Revoir Le Dernier m\u00e9tro, avec Alya Aglan"},"content":{"rendered":"<iframe loading=\"lazy\" src=\"https:\/\/player.blubrry.com\/?media_url=https%3A%2F%2Fmedia.blubrry.com%2Fparolesdhistoire%2Fcontent.blubrry.com%2Fparolesdhistoire%2Fderniermetro_aglan.mp3&amp;modern=1&amp;podcast_link=https%3A%2F%2Fparolesdhistoire.fr%2Findex.php%2F2019%2F01%2F30%2F37-revoir-le-dernier-metro-avec-alya-aglan%2F#mode-Light&border-000000&progress-000000\" scrolling=\"no\" width=\"100%\" height=\"165\" frameborder=\"0\" id=\"blubrryplayer-1\" class=\"blubrryplayer\" title=\"Blubrry Podcast Player\"><\/iframe><p class=\"powerpress_links powerpress_links_mp3\" style=\"margin-bottom: 1px !important;\">Podcast: <a href=\"https:\/\/media.blubrry.com\/parolesdhistoire\/content.blubrry.com\/parolesdhistoire\/derniermetro_aglan.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('https:\/\/parolesdhistoire.fr\/?powerpress_pinw=388-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"https:\/\/media.blubrry.com\/parolesdhistoire\/content.blubrry.com\/parolesdhistoire\/derniermetro_aglan.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"derniermetro_aglan.mp3\">Download<\/a><\/p><p class=\"powerpress_links powerpress_subscribe_links\">S'abonner :  <a href=\"https:\/\/itunes.apple.com\/fr\/podcast\/paroles-dhistoire\/id1376002842?l=en&amp;mt=2&amp;ls=1#episodeGuid=http%3A%2F%2Fparolesdhistoire.fr%2F%3Fp%3D388\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/57zBA3htpYUB4MJNhhlDnn\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"https:\/\/subscribeonandroid.com\/feeds.audiomeans.fr\/feed\/c3e6abea-2254-416a-b8ef-0619098d0e45.xml\" class=\"powerpress_link_subscribe powerpress_link_subscribe_android\" target=\"_blank\" title=\"Subscribe on Android\" rel=\"nofollow\">Android<\/a> | <a href=\"https:\/\/www.deezer.com\/en\/show\/1000680512\" class=\"powerpress_link_subscribe powerpress_link_subscribe_deezer\" target=\"_blank\" title=\"Subscribe on Deezer\" rel=\"nofollow\">Deezer<\/a> | <a href=\"https:\/\/feeds.audiomeans.fr\/feed\/c3e6abea-2254-416a-b8ef-0619098d0e45.xml\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"https:\/\/parolesdhistoire.fr\/index.php\/sabonner\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"More\" rel=\"nofollow\">More<\/a><\/p><p><strong>L\u2019invit\u00e9e\u00a0:<\/strong> Alya Aglan, professeure \u00e0 l\u2019universit\u00e9 Paris-I<\/p>\n<p><strong>Le film\u00a0:<\/strong> <em>Le dernier m\u00e9tro<\/em>, de Fran\u00e7ois Truffaut (1980)<\/p>\n<p><a href=\"http:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2019\/01\/le-dernier-metro.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-392\" src=\"http:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2019\/01\/le-dernier-metro-227x300.jpg\" alt=\"\" width=\"227\" height=\"300\" srcset=\"https:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2019\/01\/le-dernier-metro-227x300.jpg 227w, https:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2019\/01\/le-dernier-metro-768x1013.jpg 768w, https:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2019\/01\/le-dernier-metro-776x1024.jpg 776w, https:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2019\/01\/le-dernier-metro-1200x1583.jpg 1200w\" sizes=\"auto, (max-width: 227px) 85vw, 227px\" \/><\/a><strong>La discussion\u00a0:<\/strong> r\u00e9sum\u00e9 du film\u00a0; la r\u00e9ception du film\u00a0: succ\u00e8s public et professionnel, mais une relative ti\u00e9deur critique\u00a0; un film plus personnel qu\u2019il n\u2019y para\u00eet au premier abord\u00a0; un tournage \u00e0 charni\u00e8re de plusieurs s\u00e9quences m\u00e9morielles\u00a0: mode r\u00e9tro et \u00ab\u00a0retour du refoul\u00e9\u00a0\u00bb de Vichy et en particulier des pers\u00e9cutions contre les juifs\u00a0; les sources et r\u00e9f\u00e9rences du film de Truffaut\u00a0; les th\u00e8mes du film (secret, claustration, compromis des personnages)\u00a0; la situation historique du film cens\u00e9 se d\u00e9rouler en septembre 1942\u00a0; les types incarn\u00e9s par les diff\u00e9rents personnages, dont la figure du critique de th\u00e9\u00e2tre collaborationniste et antis\u00e9mite Daxiat\u00a0; le tournant de novembre 1942 (invasion de la zone libre) mis en sc\u00e8ne dans le film\u00a0; les \u00e9l\u00e9ments mat\u00e9riels de la vie sous l\u2019occupation (p\u00e9nurie, march\u00e9 noir\u2026)\u00a0; la mise en sc\u00e8ne du collaborationnisme \u00e0 travers Je suis partout\u00a0; l\u2019intensit\u00e9 de la vie culturelle sous l\u2019occupation\u00a0; le personnage jou\u00e9 par Richard Bohringer et sa pr\u00e9sence dans la sc\u00e8ne de traque des r\u00e9sistants\u00a0; l\u2019omnipr\u00e9sence des discours antis\u00e9mites dans le film et les questions d\u2019identit\u00e9 mises en sc\u00e8ne dans le film\u00a0; la difficult\u00e9 des choix personnels et des compromis durant la p\u00e9riode.<\/p>\n<p><strong>Les r\u00e9f\u00e9rences cit\u00e9es dans le podcast\u00a0:<br \/>\n<\/strong><strong>&#8211; Pi\u00e8ces, films, \u00e9missions<\/strong><\/p>\n<p>Ernst Lubitsch, <em>To be or not to be<\/em> (1942)<br \/>\nJean Renoir, <em>This land is mine<\/em> (1943)<br \/>\nJean Renoir, <em>Carola et les cabotins<\/em> (1957)<br \/>\nMarcel Ophuls, <em>Le chagrin et la piti\u00e9 <\/em>(1971)<em><br \/>\n<\/em>Jean-Pierre Melville, L\u2019arm\u00e9e des ombres (19969)<\/p>\n<p><strong>Livres (par ordre chronologique)\u00a0:<br \/>\n<\/strong>Sacha Guitry, <em>Quatre ans d\u2019occupations<\/em>, Paris, L\u2019Elan, 1947.<br \/>\nRen\u00e9 R\u00e9mond (dir.), <em>Le gouvernement de Vichy<\/em>, Paris, Presses de la FNSP, 1972.<br \/>\nRobert Paxton, <em>La France de Vichy<\/em>, Paris, Seuil, 1973.<br \/>\nHenry Rousso, <em>Le syndrome de Vichy<\/em>, Paris, Seuil, 1987.<br \/>\nAntoine De Baecque et Serge Toubiana, <em>Fran\u00e7ois Truffaut<\/em>, Paris, Gallimard, 1996.<br \/>\nJean-Michel Frodon, \u00ab\u00a0<em>Le Dernier m\u00e9tro<\/em>\u00a0: an Underground Golden Coach\u00a0\u00bb, in Dudley Andrew, Anne Gillain, <em>A companion to Fran\u00e7ois Truffaut<\/em>, Oxford, Wiley-Blackwell, 2013<br \/>\nLaurent Joly, <em>D\u00e9noncer les juifs sous l\u2019occupation<\/em>, Paris, CNRS \u00e9ditions, 2017.<br \/>\nJacques Semelin, <em>La survie des juifs en France 1940-1944<\/em>, Paris, CNRS \u00e9ditions, 2018.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019invit\u00e9e\u00a0: Alya Aglan, professeure \u00e0 l\u2019universit\u00e9 Paris-I Le film\u00a0: Le dernier m\u00e9tro, de Fran\u00e7ois Truffaut (1980) La discussion\u00a0: r\u00e9sum\u00e9 du film\u00a0; la r\u00e9ception du film\u00a0: succ\u00e8s public et professionnel, mais une relative ti\u00e9deur critique\u00a0; un film plus personnel qu\u2019il n\u2019y para\u00eet au premier abord\u00a0; un tournage \u00e0 charni\u00e8re de plusieurs s\u00e9quences m\u00e9morielles\u00a0: mode r\u00e9tro et &hellip; <a href=\"https:\/\/parolesdhistoire.fr\/index.php\/2019\/01\/30\/37-revoir-le-dernier-metro-avec-alya-aglan\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;37. Revoir Le Dernier m\u00e9tro, avec Alya Aglan&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[20,41,17,14,73,74],"class_list":["post-388","post","type-post","status-publish","format-standard","hentry","category-non-classe","tag-2e-guerre-mondiale","tag-cinema","tag-guerre","tag-memoire","tag-occupation","tag-vichy"],"_links":{"self":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts\/388","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/comments?post=388"}],"version-history":[{"count":5,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts\/388\/revisions"}],"predecessor-version":[{"id":394,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts\/388\/revisions\/394"}],"wp:attachment":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/media?parent=388"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/categories?post=388"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/tags?post=388"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}