{"id":984,"date":"2020-04-17T04:23:52","date_gmt":"2020-04-17T02:23:52","guid":{"rendered":"http:\/\/parolesdhistoire.fr\/?p=984"},"modified":"2020-04-17T09:26:24","modified_gmt":"2020-04-17T07:26:24","slug":"111-the-long-song-une-serie-sur-lesclavage-avec-fanny-malegue-et-david-chaunu","status":"publish","type":"post","link":"https:\/\/parolesdhistoire.fr\/index.php\/2020\/04\/17\/111-the-long-song-une-serie-sur-lesclavage-avec-fanny-malegue-et-david-chaunu\/","title":{"rendered":"111. The Long Song, une belle s\u00e9rie sur l&#8217;esclavage, avec Fanny Mal\u00e8gue et David Chaunu"},"content":{"rendered":"<iframe loading=\"lazy\" src=\"https:\/\/player.blubrry.com\/?media_url=https%3A%2F%2Fmedia.blubrry.com%2Fparolesdhistoire%2Fcontent.blubrry.com%2Fparolesdhistoire%2Flongsong.mp3&amp;modern=1&amp;podcast_link=https%3A%2F%2Fparolesdhistoire.fr%2Findex.php%2F2020%2F04%2F17%2F111-the-long-song-une-serie-sur-lesclavage-avec-fanny-malegue-et-david-chaunu%2F#mode-Light&border-000000&progress-000000\" scrolling=\"no\" width=\"100%\" height=\"165\" frameborder=\"0\" id=\"blubrryplayer-1\" class=\"blubrryplayer\" title=\"Blubrry Podcast Player\"><\/iframe><p class=\"powerpress_links powerpress_links_mp3\" style=\"margin-bottom: 1px !important;\">Podcast: <a href=\"https:\/\/media.blubrry.com\/parolesdhistoire\/content.blubrry.com\/parolesdhistoire\/longsong.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('https:\/\/parolesdhistoire.fr\/?powerpress_pinw=984-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"https:\/\/media.blubrry.com\/parolesdhistoire\/content.blubrry.com\/parolesdhistoire\/longsong.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"longsong.mp3\">Download<\/a><\/p><p class=\"powerpress_links powerpress_subscribe_links\">S'abonner :  <a href=\"https:\/\/itunes.apple.com\/fr\/podcast\/paroles-dhistoire\/id1376002842?l=en&amp;mt=2&amp;ls=1#episodeGuid=http%3A%2F%2Fparolesdhistoire.fr%2F%3Fp%3D984\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/57zBA3htpYUB4MJNhhlDnn\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"https:\/\/subscribeonandroid.com\/feeds.audiomeans.fr\/feed\/c3e6abea-2254-416a-b8ef-0619098d0e45.xml\" class=\"powerpress_link_subscribe powerpress_link_subscribe_android\" target=\"_blank\" title=\"Subscribe on Android\" rel=\"nofollow\">Android<\/a> | <a href=\"https:\/\/www.deezer.com\/en\/show\/1000680512\" class=\"powerpress_link_subscribe powerpress_link_subscribe_deezer\" target=\"_blank\" title=\"Subscribe on Deezer\" rel=\"nofollow\">Deezer<\/a> | <a href=\"https:\/\/feeds.audiomeans.fr\/feed\/c3e6abea-2254-416a-b8ef-0619098d0e45.xml\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"https:\/\/parolesdhistoire.fr\/index.php\/sabonner\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"More\" rel=\"nofollow\">More<\/a><\/p><p><strong>Les invit\u00e9-e-s\u00a0:<\/strong> Fanny Mal\u00e8gue, doctorante \u00e0 l\u2019EHESS, et David Chaunu, doctorant \u00e0 Paris-Sorbonne<\/p>\n<p><a href=\"http:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2020\/04\/The_Long_Song.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-988\" src=\"http:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2020\/04\/The_Long_Song-200x300.jpg\" alt=\"\" width=\"334\" height=\"501\" srcset=\"https:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2020\/04\/The_Long_Song-200x300.jpg 200w, https:\/\/parolesdhistoire.fr\/wp-content\/uploads\/2020\/04\/The_Long_Song.jpg 666w\" sizes=\"auto, (max-width: 334px) 85vw, 334px\" \/><\/a><strong>L\u2019\u0153uvre\u00a0:<\/strong> <em>The Long Song,<\/em> mini-s\u00e9rie de la BBC (2016), adapt\u00e9e du roman d\u2019Andrea Levy.<\/p>\n<p><strong>La discussion\u00a0:<\/strong><\/p>\n<ul>\n<li>L\u2019origine de la s\u00e9rie, adaptation d\u2019un roman d\u2019Andrea Levy (1\u201930)<\/li>\n<li>Un jeu habile de la s\u00e9rie sur l\u2019esclavage et sa repr\u00e9sentation, et sur les codes narratifs des r\u00e9cits d\u2019anciens esclaves comme celui de Equiano (4\u2019)<\/li>\n<li>Le nom, l\u2019identit\u00e9, comme enjeu clef dans les soci\u00e9t\u00e9s esclavagistes, avec ici la r\u00e9ification de \u00ab\u00a0Miss July\u00a0\u00bb nomm\u00e9e \u00ab\u00a0Marguerite\u00a0\u00bb par sa ma\u00eetresse (6\u201910)<\/li>\n<li>Le contexte historique de la s\u00e9rie\u00a0: les \u00ab\u00a0\u00eeles \u00e0 sucre\u00a0\u00bb exploit\u00e9es par les empires (10\u201915)<\/li>\n<li>Les hi\u00e9rarchies de statut, travail et couleur dans la soci\u00e9t\u00e9 jama\u00efquaine, et la place de la ville en son sein (11\u201930)<\/li>\n<li>La place des distinctions de couleur dans la soci\u00e9t\u00e9 servile (14\u201930)<\/li>\n<li>Une s\u00e9rie qui met en sc\u00e8ne l\u2019\u00ab\u00a0agency\u00a0\u00bb, la capacit\u00e9 d\u2019agir, de Miss July (18\u201950), et les relations ma\u00eetres-esclaves de fa\u00e7on complexe, \u00e0 rebours d\u2019autres repr\u00e9sentations comme celle de <em>Django Unchained<\/em><\/li>\n<li>La mise en sc\u00e8ne des ma\u00eetres et de leur fragilit\u00e9 ou d\u00e9classement (22\u201950)<\/li>\n<li>Le personnel d\u2019encadrement des plantations et leurs propres rapports d\u2019inf\u00e9riorit\u00e9 mais aussi d\u2019assimilation au groupe des ma\u00eetres (26\u2019)<\/li>\n<li>L&#8217;abolition de l&#8217;esclavage en 1833 comme point de pivot de la s\u00e9rie, qui insiste avant tout sur les continuit\u00e9s (29&#8242;)<\/li>\n<li>Le maintien d&#8217;une domination \u00e9conomique sur les anciens esclaves (33&#8242;)<\/li>\n<li>Le personnage de Robert Goodwin, et les ambigu\u00eft\u00e9s de l&#8217;abolitionnisme qu&#8217;il permet de mettre en sc\u00e8ne, \u00e0 travers les relations amoureuses et de couple qu&#8217;il entretient (35&#8217;30)<\/li>\n<li>Le travail sur la langue propre \u00e0 la s\u00e9rie (40&#8242;)<\/li>\n<li>Conseils de lecture (44&#8242;)<\/li>\n<\/ul>\n<p><strong>Conseils de lecture \/ Pour aller plus loin\u00a0:<\/strong><\/p>\n<ul>\n<li>Cousseau Vincent, <a href=\"https:\/\/www.cairn.info\/revue-annales-de-demographie-historique-2016-1-page-37.htm\">\u00ab Nommer l\u2019esclave dans la Cara\u00efbe xviie-xviiie si\u00e8cles \u00bb<\/a>, <em>Annales de d\u00e9mographie historique<\/em>, 2016\/1 (n\u00b0 131), p. 37-63.<\/li>\n<li><span class=\"st\">Paul Cheney, <em>Cul de Sac: Patrimony, Capitalism, and Slavery in French Saint-<wbr \/>Domingue.<\/em> Chicago: University of Chicago Press, 2017<\/span><\/li>\n<li><span class=\"st\">Abigail L. Swingen, <em>Competing Visions of Empire: Labor, Slavery, and the Origins of the British Atlantic Empire<\/em>, New Haven CT: Yale University<\/span> Press, 2015.<\/li>\n<li>Site de <a href=\"http:\/\/trevorburnard.com\/#\/\">Trevor Burnard<\/a>, sp\u00e9cialiste de l&#8217;histoire de la Jama\u00efque<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Les invit\u00e9-e-s\u00a0: Fanny Mal\u00e8gue, doctorante \u00e0 l\u2019EHESS, et David Chaunu, doctorant \u00e0 Paris-Sorbonne L\u2019\u0153uvre\u00a0: The Long Song, mini-s\u00e9rie de la BBC (2016), adapt\u00e9e du roman d\u2019Andrea Levy. La discussion\u00a0: L\u2019origine de la s\u00e9rie, adaptation d\u2019un roman d\u2019Andrea Levy (1\u201930) Un jeu habile de la s\u00e9rie sur l\u2019esclavage et sa repr\u00e9sentation, et sur les codes narratifs &hellip; <a href=\"https:\/\/parolesdhistoire.fr\/index.php\/2020\/04\/17\/111-the-long-song-une-serie-sur-lesclavage-avec-fanny-malegue-et-david-chaunu\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;111. The Long Song, une belle s\u00e9rie sur l&#8217;esclavage, avec Fanny Mal\u00e8gue et David Chaunu&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[62],"tags":[58,37,172,184],"class_list":["post-984","post","type-post","status-publish","format-standard","hentry","category-cinema","tag-esclavage","tag-grande-bretagne","tag-serie","tag-television"],"_links":{"self":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts\/984","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/comments?post=984"}],"version-history":[{"count":6,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts\/984\/revisions"}],"predecessor-version":[{"id":991,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/posts\/984\/revisions\/991"}],"wp:attachment":[{"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/media?parent=984"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/categories?post=984"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/parolesdhistoire.fr\/index.php\/wp-json\/wp\/v2\/tags?post=984"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}